PrataBas

MegaMelander For professional reasons, I want to stay anonymous here, but I can tell you that I've had access to some of these recordings, the studio logs, and pay slips and receipts for some of these disputed titles. I've met that author, bassland, several times and he's done his work. Carole played on so, so many big hits, but not the Motown songs that she claims she did. It's something she holds onto, but the evidence isn't there. Outside of the obvious stylistic differences between two of the most identifiable bassists ever, the one thing that always solidified the case against her claims is the "who got paid" idea. Does anyone think that the record companies are going to pay the wrong people? When other players can show the pay stubs for those sessions, the argument is over. Thankfully, there are hundreds of great bass lines played by Carole, and her lessons and joyous teaching to carry on. (For a better listen than the tracks on YouTube, check out the soundtrack to Standing in the Shadows of Motown. The solo'd bass on "Bernadette" is worth the money.)

Fluktbas skrev:Hittade den här kommentaren till basspecialare om Bernadette:

https://www.youtube.com/watch?v=QLDqlgRK100" onclick="window.open(this.href);return false;

MegaMelander For professional reasons, I want to stay anonymous here, but I can tell you that I've had access to some of these recordings, the studio logs, and pay slips and receipts for some of these disputed titles. I've met that author, bassland, several times and he's done his work. Carole played on so, so many big hits, but not the Motown songs that she claims she did. It's something she holds onto, but the evidence isn't there. Outside of the obvious stylistic differences between two of the most identifiable bassists ever, the one thing that always solidified the case against her claims is the "who got paid" idea. Does anyone think that the record companies are going to pay the wrong people? When other players can show the pay stubs for those sessions, the argument is over. Thankfully, there are hundreds of great bass lines played by Carole, and her lessons and joyous teaching to carry on. (For a better listen than the tracks on YouTube, check out the soundtrack to Standing in the Shadows of Motown. The solo'd bass on "Bernadette" is worth the money.)

Jag noterade särskilt "obvious stylistic differences". Det vore kul att lära sig vilka dessa stilistiska skillnader kan tänkas vara.

bootsy skrev: Carols plektrumspel vs. James enfingerspel är ett exempel.

Mr Bassman skrev:Kanske varit på tapeten förr, men här är en som ju e hyfsad....? ( Både som basist och som det "otäcka")

[youtube]http://www.youtube.com/watch?v=9XxkzCm-nrY[/youtube]

Mr Bassman

AliasVitaNinjan skrev:Jo Bench som spelar bas i det legendariska brittiska death metal bandet Bolt Thrower måste ju få vara med i den här tråden!

norton skrev:

AliasVitaNinjan skrev:Jo Bench som spelar bas i det legendariska brittiska death metal bandet Bolt Thrower måste ju få vara med i den här tråden!

Hon är skit bra.....Såg dom på close up båten Nått av det bästa jag sett live faktiskt
Ett enormt jävla drag och tryck när dom spelade....Bolt Thrower

Mr Bassman skrev:J*vlar!!! Måste hon sjunga samtidigt....? Gött ljud också. Riktigt schnygg bas.....

http://www.youtube.com/watch?v=ggPooXtzUD0" onclick="window.open(this.href);return false;

Mr Bassman

Mr Bassman skrev:Kanske varit på tapeten förr, men här är en som ju e hyfsad....? ( Både som basist och som det "otäcka")

[youtube]http://www.youtube.com/watch?v=9XxkzCm-nrY[/youtube]

Mr Bassman

GandhiMK2 skrev:
Nu tänkte jag vara sån och ställa frågan:varför svänger det inte?
Mycket möjligt att jag inte kommer att få ett svar som tillfredställer mej för i mina öron så beror det på den vanligaste av alla basistiska dödssynder: Total brist på medveten frasering. Lång/kort tex...